Utrecht Requiem: Introïtus | Willem Wander van Nieuwkerk

2017a

Choir SATB, clarinet, bassoon, horn, string quintet, harp, timpani (and optional children's voices in soprano range)

6'30

Part I of the 'Utrecht Requiem 2017', for the Dutch Chamber Choir and Ensemble Insomnio
Text: Herman van Tongerloo / trad.

A project of documentary film maker Ellen Blom. Six Utrecht citizens of diverse backgrounds speak about life and death. Their stories, poetically reworked by Herman van Tongerloo, became the movements of a new Utrecht Requiem. The entire documentary concert can be viewed at NTR 2Doc (interviews in Dutch).
My Introïtus, the opening movement, is not tied to any person. For the first, fast episode I used in the orchestral parts the first Gregorian antiphon of the Roman burial liturgy, Exsultabunt Domino ossia humilata and in the final stage the introit of the Gregorian missa pro defunctis, the Requiem aeternam dona eis Domine.

Utrechts Requiem 2017 – Introïtus – performance 2019 by the Dutch Chamber Choir & Ensemble Insomnio

Utregs Requiem 2019 – Introïtus – performance 2019 by Chamber Choir NEON & Ensemble Insomnio

About me

Musical beauty and simplicity are my aim. My guiding principle is the classical European tradition. Folk music, church music and Early Music are the sources to which I return to seek new melodic beauty. I value musical craftsmanship and intuition highly. Musicians are my first audience. It is their virtuosic interplay, comic or dramatic, but always emotionally charged, that is the musical theater my music presents to the listener. The sounds I cherish most are those that through the musician’s hearts, breath and hands bear the mark of their personal interpretation.
Chamber music is, therefore, central to me – I have written for the Bennewitz Quartet and Harry-Imre Dijkstra, the Skampa Quartet, Rosanne Philippens, the Bartók Trio, the Utrecht String Quartet and many others.
My chamber music for recorders has a special place in my work and is played in large numbers by amateurs. The CD Kadanza is a fruit of decades of collaboration with the best professionals who were often also the best teachers.
For me, choral music is also a species of chamber music. It should challenge and offer musical satisfaction to those many amateur singers – that I am one of.

My music features individual performers – to convey a thought, an emotion, and a story to the audience in a virtuoso and intense fashion.

In rehearsal and performance, the performers and I learn a lot from each other. Sometimes their improvisations are included in the musical story. Scores will always be adapted to their needs.

The interplay between performer and composer is absolutely essential in newly written music. As is the interplay between sponsor and composer.

Would you like me to rehearse with you or do you want to know more about a piece?

Do you want me to write a piece for a particular line-up or event?

Please let me know and I will contact you.

Besides composing, I lecture in New Music at the Conservatorium van Amsterdam, with a focus on chamber music and music aesthetics. Some of the writing and thinking that I do there can be found in the ‘text’ section.