piano music

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2025 Five Romantic Miniatures

piano solo

Duration: 9' ca Five short piano pieces inspired by Schumann, Rilke and Heine and dedicated to song connoisseur, pianist, musicologist and driving force behind the Broekmans & van Poppel music shop, Dinant Krouwel.

1. Nach einen langen Wanderung
2. Früher Apollo (nach Rilke)
3. Denkend im Dunkeln
4. Ein Deutscher in Paris
5. Ein Liedchen vom Schmied

2023a A Pilgrim's Progress

piano solo

Duration: 14 min. ca I. They climbed a mountain
II. They give birth astride of a grave

2016b He is not here

Piano solo

Duration: 4'25 For Marcel Worms

2009a Piano trio 'De tout mon coeur'

Trio for piano, violin and cello

Duration: ca. 25' For the Atlantic Trio (Bas Verheijden, piano, Vegard Nilsen, violin, Ansfried Plat, cello)

2002c Piano in the Polder

8 graded pieces (elementary to intermediate) for piano two and four hands

Duration: 5’30” Commissioned by BuZZing (a Piano Teacher's Foundation), in a single edition with four pieces by Nathalie Boogers

2002b Piano Quintet Tandernaken

2 violins, viola, cello and piano

Duration: 17' 1st perf. Zuoz, Switserland, August 2002 Commissioned by mrs. Nancy Chumanchenco, director of Margess International of Switzerland

2000 Fantasque

piano

Duration: 3'15 For Yuri van Nieuwkerk

1991e Romance for piano

piano

Duration: 1'10" From the soundtrack to ‘Post Reykjavik’ by Nicole van Kilsdonk

1975 Book for Two Piano's

2 piano's

Duration: 16' 1st perf. AMsterdam, IJsbreker 1982

Musical beauty and simplicity are my aim. My guiding principle is the classical European tradition. Folk music, church music and Early Music are the sources to which I return to seek new melodic beauty. I value musical craftsmanship and intuition highly. Musicians are my first audience. It is their virtuosic interplay, comic or dramatic, but always emotionally charged, that is the musical theater my music presents to the listener. The sounds I cherish most are those that through the musician's hearts, breath and hands bear the mark of their personal interpretation.

Chamber music is, therefore, central to me - I have written for the Bennewitz Quartet and Harry-Imre Dijkstra, the Skampa Quartet, Rosanne Philippens, the Bartók Trio, the Utrecht String Quartet and many others.

My chamber music for recorders has a special place in my work and is played in large numbers by amateurs. The CD Kadanza is a fruit of decades of collaboration with the best professionals who were often also the best teachers.

For me, choral music is also a species of chamber music. It should challenge and offer musical satisfaction to those many amateur singers - that I am one of.

My music features individual performers - to convey a thought, an emotion, and a story to the audience in a virtuoso and intense fashion. In rehearsal and performance, the performers and I learn a lot from each other. Sometimes their improvisations are included in the musical story. Scores will always be adapted to their needs. The interplay between performer and composer is absolutely essential in newly written music. As is the interplay between sponsor and composer.

Would you like me to rehearse with you or do you want to know more about a piece? Do you want me to write a piece for a particular line-up or event? Please let me know and I will contact you.

Besides composing, I have lectured in New Music at the Conservatorium van Amsterdam, with a focus on chamber music and music aesthetics. Some of the writing and thinking that I do there can be found in the 'text' section.

For label inquiries please contact:
Oak Music (Marcel van den Broek)
post@oak-studio.nl